Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

《卧龙战警》是由美国导演布雷特·拉特纳执导的动作喜剧片，于1998年上映。影片由杰克·李·陈，克里斯·塔克，E·D·麦克阿瑟等主演。故事发生在洛杉矶，讲述了一位通缉犯和一名警察组成的特殊组合，他们一起解决了犯罪团伙的案件。

电影一开始，我们见到了洛杉矶警察署的一位警察李奥（杰克·李·陈饰演）。他是一名拳击手，因为犯了错误放了一名通缉犯而被停职。而同时，一位通缉犯穆里塔（克里斯·塔克饰演）被押解到洛杉矶法庭。在途中，他们的车遭到了袭击，穆里塔趁机逃脱。为了抓住穆里塔，李奥被恢复为警察，并被命令与FBI合作。

穆里塔进入了一家中国餐厅，李奥也跟了进去。他们之间发生了一场激烈的追逐战，最终李奥成功逮捕了穆里塔。然而，他们发现两人都不得不一起工作，因为FBI需要他们作证来揭露一名重要的犯罪团伙首领尼古拉斯·卡斯特罗（丽莎·博威饰演）。为了掩人耳目，他们化身成为“卧龙战警”，一名卧底警察和一名逃犯。

他们经历了许多冒险和惊险的任务，其中包括潜入一家夜总会，穆里塔差点被人发现并危及卧底行动。尽管他们之间存在着许多摩擦和冲突，但两人逐渐建立了一种特殊的伙伴关系。

在整个过程中，他们逐渐揭开了尼古拉斯·卡斯特罗的犯罪网络，发现了他的计划是在洛杉矶引爆一颗毁灭性的炸弹。为了阻止他，他们必须合作，打败尼古拉斯·卡斯特罗的手下，并立即停止他的计划。

最终，他们成功地挫败了尼古拉斯·卡斯特罗的计划，救下了洛杉矶。李奥也获得了恢复警察职务的机会，穆里塔也得到了他一直以来渴望的自由。

《卧龙战警》是一部动作喜剧片，充满了紧张刺激和幽默的场面。杰克·李·陈和克里斯·塔克的表演为影片增添了许多笑料和魅力，他们之间的化学反应也令人难以忘怀。影片成功地融合了动作、喜剧和犯罪元素，为观众们带来了一场耐人寻味的娱乐享受。

总的来说，电影《卧龙战警》是一部充满动作、喜剧和紧张刺激的电影。通过一个通缉犯和一名警察之间的特殊合作关系，影片展现了友谊和犯罪的界限。如果你喜欢动作喜剧片，这部电影绝对不容错过。

电影天堂网提供了卧龙战警在线观看，并且还可以支持手机免费看卧龙战警，不需要下载播放器，方便广大影迷。