Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

《难以置信的事实》是一部以真实事件为背景的电视剧，讲述了一系列离奇诡异的事件和事实。故事围绕着一个小镇展开，这个小镇平静祥和的表面下却隐藏着许多不可思议的秘密和谜团。

剧情开始于一个普通的午后，一名中学生在回家的路上突然消失不见，家人发起了失踪通知，警方也展开了全面的搜寻。然而令人费解的是，失踪的中学生在数天后竟然神秘地出现在家中，而他却完全不记得自己失踪的事情，也不知道自己是如何回到家里的。

随着这起事件的发生，小镇上陆续出现了一些看似不可思议的事情。有人声称在深夜看到了闪烁着光芒的飞碟，也有人发现了神秘的符号在夜晚出现在街头。一些居民甚至声称看到了幽灵和鬼魂的出现。

随着调查的深入，一切的真相逐渐浮出水面。原来这个小镇受到了一种神秘力量的干扰，这种力量无处不在，时刻在控制着一切。而失踪的中学生只是这种力量的一个受害者，他们的记忆被操控，行为被操纵，一切都变得不可思议起来。

最终，主人公们决定揭开一切的真相，他们展开了一场艰难的对抗，不仅要解决这个小镇上的谜团，还要面对那些隐藏在黑暗中的力量。他们将面临着种种危险和考验，必须齐心合力，才有可能打败这个让人难以置信的事实。

《难以置信的事实》以其扣人心弦的剧情和吸引人的故事情节，吸引了众多观众的注目，成为当下备受关注的热门电视剧之一。剧中展现了人性的善良与邪恶，探讨了信念和勇气的重要性，同时也勾勒出了一个错综复杂而又令人着迷的世界。

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